Cyborg Songs – I’m a Scoglio 2.0 (2025)
For soprano, obbligato clarinet and string orchestra
Premiered by Odense Symphony Orchestra at the Carl Nielsen and Anne Marie Carl-Nielsen honorary award ceremony
RITUAL – the lost voice plot (2025)
For one singer, movement, guitar pedals, contact microphones and lights
Commissioned by soprano, Ly Tran with the support of The Danish Arts Council and Koda Kultur
Premiered at Folketeateret, Klang Festival 2024
Forsøg i Gentagelser #2 (2025)
For two guitars, contrabass recorder, voice, clavichord and movement
Commissioned by Nordvest Klassisk and Kammerklubben with the support of Koda Kultur
Premiered at Lygten Station
Forsøg i Gentagelser #1 (2025)
For two singers, three violas, one violin, two percussion and prepared piano
Commissioned by Nordvest Klassisk and Kammerklubben with the support of Koda Kultur
Premiered at Lygten Station
String Theory (2024)
For the string installation Between Strings, lights and four moving musicians
Premiered at mumok, Museum moderner Kunst Stiftung Ludwig, Vienna (2024) with the support from Koda Kultur and the Danish Arts Council
Cyborg Songs – I’m a Scoglio 1.0 (2024)
For lyric soprano, clarinet, bassoon, horn and piano
Commissioned by the Danish Broadcasting Corporation P2 and the Danish Composers’ Society with the support from Koda Kultur
Pullerter i Aabenraa – A performative soundpiece (2023)
For five performers, soundtrack, portable speakers, geophone, a bollard and amplification.
Commissioned by Metropolis KBH 2023
TRIO (2022)
For two musicians, breath, voice and movement, contact microphones, guitar pedals, a synthesizer, and light.
Written for Sebastian Berweck and The Mini Moog Project (DE).
Commissioned by Klang Festival 2022 in collaboration with Heroines of Sound (Berlin).
Performed at Klang Festival (2022), Heroines of Sound, Gallerihelgen Malmö (2022), and Alte Schmiede, Vienna (2023)
BREATH (2022)
Consisting of the movements 4touch og Lung Choir
For four musicians, breath, voice and movement, contact microphones, guitar pedals, field recordings and light
Supported by The Danish Arts Council
Premiered at Dansekapellet (2022)
Between Strings #3 (2022)
for the string installation Between Strings, two celli, one viola and three moving musicians
Commissioned by Damkapellet and ALICE cph
Premiered at Teater S/H (2022) as a part of the concert series, ALICE works
Between Conditions (2022)
For the sound installation, Between Strings, one accordion and three moving musicians
Commissioned by the quartet, Between Feathers (AT)
Premiered at Brick-15 (Vienna).
GRIDS (2022)
For three moving musicians and amplified strings
Commissioned by Ensemble Transduct
Premiered at Klang Festival, Copenhagen (2022)
Noget holder mig oppe (2022)
For 14 female singers
Between Strings #2 (2021)
for the sound installation, Between Strings, one performer og five audience members.
Commissioned by and premiered at Frequenz Festival, Kiel (2021)
Sounds from Kettles’ (2021) in collaboration with Jaime Belmonte
Electro acoustic work of field recordings
Commissioned by Konstmusiksystrar
Premiered at Sound of Stockholm (2021)
further & back (2015, rev. 2020, 2021, 2022)
1) for 2 folk flutes
Premiered at Helsinki Music Center 2016 by FluteMachine
2) for 3 singers
Premiered at Theaterhaus Stuttgart 2020 by Neue Vokalsolisten Stuttgart
3) for bass recorder, viola and cello
Premiered by Klang festival Copenhagen 2020 by Damkapellet
4) prepared piano, percussion voice, bass recorder, viola and cello
Released by Dacapo Records (2023) and played at Vinterjazz, Copenhagen by Damkapellet
5) for bass flute, accordion and voice
Premiered in 2022 at die Alte Schmiede, Wien by Between Feathers
Music for the theater show, Robin Hood (2020) with Jullie Hjetland and Hans Find Møller, Folketeatret
other hand (2020) in collaboration with Yiran Zhao
For 1 musician, video projection, amplification, wooden hands, and soundtrack
Premiered at Trugschluss, Munich (2019)
Can you hear me?/Kan I høre mig? (2019)
For one performer, speakers and lights
Premiered at Trugschluss, München (2019)
other eye (2018) in collaboration with Yiran Zhao
For two musicians, contact microphones, fake eyelashes and light.Premiered at the Darmstadt International Summer Courses for New Music (2018)